EPHEMERA

What do any of us leave when
we leave this world except a
blemish, that is, a smear on the face
of Time that may appear further along
in the sphere of  someone else who recalls
its authenticity in the form of say a word, an
image, a remark, a posture of body that enters
likely by Chance thru a corridor of Memory in
association with other factors  or none
and then passes on again without us really
having had anything to do with it at all? We live on
despite ourselves in pieces and our fame,
justified or not,  prevails.

IN SEARCH OF A TORTURED PAST

I wish it didn’t have to be like that.

At least for the purposes of creating art,

A comfortable childhood is unsatisfactory.

But mine was, it seems just that, and

After having just reviewed a stack of

Old photographs I come away with the

Impression that I was a much loved, happy

Child.  Now how to account for my miserable

Adulthood?  I have to blame it on something,

Don’t I?

A WINTER LANDSCAPE

Black and white is cold,

Correctly cold.

The bare sky a smudge

Forbidding entrance.

A bird passing overhead and

Disappears.

The air as quiet as stone.

In the middle distance

In a wash of absence

A figure appears like a solitary

Hair on a skull.

The camera intrudes on

a man

In a long dark coat standing as

Still as death

Surrounded by impersonal space.

Vacant eyes stare into a glass world.

 

Where is the garden, the apple tree?

Where is the touch?

This might as well be the moon

Or a planet of silver

Remember the smoke

The grim parade

The separation,

How?

 

He is as stuck in place as a tree,

No step available in any direction

Outside the realm of history.

 

They promised.

Oh, well…

 

Nothing forms on his face.

By force of habit a machine still works

Inside of him and he shifts with its engine.

 

The other side.

 

Brief glimpses of a hand, his mother’s,

The dress she wore on his twelfth birthday.

He is blowing the candles in a picture that was taken

Of the event.

 

It is possible!

 

Below

looks as inviting as wool although it is made of snow.

Then his view is pasted over with streaks of black shutters, like when the eyes

Blink too fast and the thought disappears.

 

An ocean opens with a sigh, there is fanfare and happy applause

on the other side of it, a choir of ruddy faces cheer like summer,

breaking down the cold

 

At last, an opening…

 

There is a rustle of excitement in the notion as when a gift

Is being undressed

But the body still resists. The machine will not give way.

It is frozen in its atmosphere.

 

What if the package is empty, she is not even there

There are no swimming souls either

It was all a mistake made by apes?

 

You are left with bats’ wings instead, and motor complaints,

Vinegars

And graduating degrees of spirit ache.

 

What if they keep you awake?

 

Or nothing, much like this and less, and you have no way of knowing:

Eternal discontent.

 

Not there.

A gust of wind catches him on the cheek.

He thinks he will wait.

I TRY

I try so hard

I try so hard

I try so hard to love you

 

I try so hard to live with you

I try so hard to know you

 

I do not know you

I cannot rule you

 

Fact

 

I am blue not gray

I am just made that way

I will just fade that way

 

Now

 

The lamp’s down low

How low will it go

 

Into the dark

Our natural space

Our silly place

 

I try so hard

To win the race

To end the race

 

I try so hard

To find my place

NIGHT

The fat brain can’t get up today

The slow familiar dead end crawl

Nothing appears at the gate

The clock doesn’t move at all

Faces come stop and stare

Through the very vast night

Birds have gone to sleep for good

The wise limp instead of fight

Within this dreamless ancient place

 Music sour grates on everyone

Behind the door something waits

To  make a move and overcome

The children don’t exist at all

They shoulder guns and strangle dolls

They have never known another place

Where monsters don’t make the calls

While phony women shallow men

Pretend to dance a pantomime

They kiss the air and then themselves

They make a dash on a dime

The anesthetic must soon wear off

On all these wild-eyed toothless men

Who carry around a human form

And hand you a poison pen

The future must appear some day

Even in this airless room

When people will scurry out to see

The lost ambiguous forgotten moon

THE SKY ANNOUNCES

The pain caves his brain

Like fast anxious fire

As

Outside,

The afternoon sun shines .

Nothing particularly untoward

reported . Only

A sense of the already been ,

The old islands of thought

Punctuated by angry siren swells,

stick figures and

Sweating somersaults of gloom…

But

There is a place and

There is a way that is

Better than possibility, the far-away sky announces

To this wreck it addresses

Whose head’s in the closet

In search for a bonnet

And  a perfect drink.

The light moves fractionally  (his head now out for a peek)

Yes, movement opens to a room in his parched

Brain, the pain subsides fractionally, and he hides for a beat

In  a synapse of reprieve  between his words.

‘Reshape this worldview ,’  the sky announces:

‘All is empty argument,’

Blinks the blue cool eye.

AUTUMNAL BLUES

And, yes

Around us everywhere

The golden note

Autumnal glory, as you please,

Messaging the possibility

That ease may arrive

All dressed up as Sunday.

I lay in wait for Godot

With the same stumbling quality

With no ideology

No compass, no certainty,

All the spiderwebs that lead me here

That left me here bereft

The question marks looming

The leaves used up

The casual way they spread.

Perhaps I am dead

Like them

I had a home once

Where I belonged,

Now on my own I beg

Something miraculous must come

Yes, like the glory around us suggests

We are something other than

Appearance dictates

And presses so hard against

The thin film to

Evanescence and escape

Only motion and peace

And no suffering in the end

There is so much time to contend

And I am so tired of calling for

Something

Something

I don’t even know

What anymore.

BECOMING

Sleepy in the afternoon,

sunshine bleeds thru my high windows.

Thank you for the transfusion this morning,

the digital dots that you connected,

as I sat by baffled by your sharp eye.

I felt like a statue (if statues could feel)

next to you and I was somewhat comfortable

with it. What is it about me? Have I become

totally redundant with age? Girls look at me now

with smiles that feel like charity, and I am

grateful for it. I thank everyone of them profusely.

Was it the aged Peter O’Toole who in a film begged

a girl for permission to sniff behind her ear?

I laughed then, but now I don’t! On the way out

modesty becomes us. It’s really all we have.

CRACKS

Between the cracks I live

In a world between worlds

In the space between words

Like a twilight dance

A summer romance

A part-time dude

Someone who knew

The secret clue

That slipped away

Between the cracks

In memory in fact

It is what it is

It was it will be

An encompassing view

Both eyes well lit

On the party prize

That says we never die

Don’t try don’t stress

It’s here in nothingness

Between the cracks

Between the acts

Below the world

In flesh and blood

In skylight swoop

Beyond despair

Here and there

And everywhere

HOW IT HAPPENED

We sit in opposition

Like cars gearing up for a

Game of chicken.

The wind blusters in your

Eyes, your piano voice comes

In crystals. I feel the years

Between us that have

Fallen off, revealing a hard

Skeleton  of love in place.

But

How  we try each

Other for fault! Your vanity,

my hands cut off at

The wrist. I have no

Stomach to pick through

These remains again or retrace

Plot points on the map

To here. I see it as a

Happy accident that

We have survived

Together at all,

Certainly not any of my

Doing.  Was it the god

Of inertia who intervened,

limited horizons pressing

Against motion?

Were we not brave enough,

and if so,

Has it not taken us down

A step?

Or

Was it something else entirely,

A flame of recognition

That held a mutual gaze

And burned everything else

Away?

THE HORIZONTALIST

Lies flat or lays flat

Not a living thing on his mind.

Up or down like a pancake.

Down is better,

Down –

A tunnel into disappearance,

Space under the floor of the pillow,

Unlinked widespread

Carpets of form.

 

Practice sleep,

The one consolation.

Deep.

Neither hot nor cold

The neutral state

No body no taste.

Soundless music.

 

Up is different.

The sky’s the limit

A network of pinpoints,

Thought smudges

And crossed out plans,

Inhalations and breathed out

Despair.

Was she there?

Who was she?

Then spirals occur

And

Her face again becomes a blur.

Everything connected,

Everything infected with her.

Your head sits on a rock

And you’re tired.

 

You’re tired

But you don’t turn over.

THE ANGELS OF MAY

The angels of May make the seven

gray steps down and enter the clean sunlight.

Along the sidewalk, they move in pairs or in clusters

In solidarity on their way away from the severe

dark building where they learn to be good citizens.

 

In the ripple of Spring, in their plaid wraparound

skirts, sharply pleated, worn (their choice) up enough

to reveal burgeoning limbs caught between hem and

long socks, there are glimpses of the quality of

destination explorers have gladly died for: These are

perfectly in bloom art flowers!

 

Now, at lunchtime, they wave and frolic, dash and

dive, giving up squeals of  glee and bursts of temper

in gamely fashion under the city branches, some on swings

kick at the sky with outstretched legs, as if they wanted to

leave the world;  some sit in groups on the grass in bonding

arrangements, making sisterly gestures, at ease in their abstractions,

and on this oasis,  what secrets shared,  what plans hatched,

what crushes formed in their eager young hearts!

 

And when a silent bell sounds it is time to put down the recreations and

return to the cold building where instruction is bought for future advantage

when they will  be harnessed to their adult woes, although for the time being,

 they float automatically in procession, resigned to the remainder of their day

 like angels in the afternoon.

MY LOBOTOMY

Between the words there is rest.

Between the blizzard and the trunk full

Of rats

I pause.

 Before a crown of stars,

The afternoon glorifications.

 

Yesterday my brain was successfully removed

 Under fluorescent duress

 Inside the white room

By busy gowned chaperones

Whistling as they worked.

 Ten thousand glasses of water I ingested

At particular intervals between

 bouts of spittoon mouth and

Terrible outcries:

For revenge.

For mercy.

 

All of the procedures they followed

Scrupulously

No doubt.

My head now feels as slippery

As an olive.

So please,

Thank the team for me.

THE CHILD DEPRIVED

The child sees the back of her moving away from him across the room, for no reason to him, the door opens and she disappears. She is no more. But he remains on his hands and knees handling the glittering objects on the floor, which lay scattered about and draw him in; but soon somewhat less so, and the space around him turns white. A knot inside of him tightens, and a groan explodes at his chest, lengthening upward and eventually escaping his throat. It is a burst of yearning that is immediately relieved with tears, which spill until he tires. Worlds pass, and nothing. There once was a giantess that loomed and encompassed him with her soft folds. Everything was absorbed into her. She danced and the movement pleased him. He was not alone. He is alone now. This realization sends a swarm of black-winged creatures fluttering through him that bend his vision outward. The outside smiles crookedly back at him. Nowhere is safe. The child will continue. He may survive, though most likely, only part of him.

THE OUTSIDE

The bleeding words of our fathers intersect the exigencies of the moment, as we keep tripping over ourselves in the seasickness world of every day. The great going forward into the outside, the dust of light, chimera and the arid spaces, the distant mirages, meetings and misunderstandings, missteps and footprints, reverberations and regrets, glancing against our will into rear-view mirrors, the images fading though not quite disappearing completely. Everything is outside, separate, set against us, a cause for mastery or evasion, the clock ticking constantly in our sleep, while what arises unbidden from the seabed is no more than random explosions, the ramblings of a lunatic machine. Questions? We do not even know what to ask anymore. All of the wrong questions have been answered wrongly, all of the right questions have never been answered. And nobody wants to be the last person standing. There is no inner world anymore, nowhere to get lost, to hide, only surfaces on screens that blip endlessly, idiotically, providing false information and dangerous messages. We may well all end up, just go out muttering inanities to our pretend friends. All this is played out against the canvas of the new normal, just another day in a fresh century, which is billed as for the best and guaranteed to please. Of course, the past still has its sway. The primitive appetites and ferocious outcries, DNA that rings sharply from its origins. The ape and the robot have been caught in an embrace. We can all live this, grotesquely replacing defective organs, staying young and void separately. This is the dream. This is the end game in the nightmare that won’t end. The truth is nobody really thinks it will come to this. It is too much for the brain to fathom. Thus it is denied as we fall deeper into darkness. In fact, it is only in the darkness where it can be tolerated at all. Nobody wants to spotlight the monstrosity, the gigantic elephant in the room, who may one day remember who he is. When one does not recognize inner space, all things become a commodity and all beings become possessions, alien to one another. It is not important to even try to understand. And if this leaves a vacuum, it is filled with pieces of death, so that we are stiffened in frozen blood and indigestible ideologies. To conquer death we must first die inside. In order to survive the prevalent mindscape, we must first turn ourselves into mobile corpses in lockstep toward the vague horizon.

NO EXIT

Bitterness,

I have come to know you well.

I drink you every morning

as my coffee,

which is such a soothing mix

of warmth and sweetness tinged

With acid.

It asks:

What is it like to kill,

What would it be like?

Would it assuage the pain,

the nagging discontent

I carry as an invalid on my back?

Whom to bestow it on?

No one special,

only the act,

lancing the pimple, so to speak,

and the spray of white goo

on the mirror would suffice,

like my mother demolishing

my teenage acne,

with her scent nearby.

Is that a recipe for relief,

for the bitterness

that lives in my gums,

 jaws clenched and ready?

You may see it in the lips

Downturned, sullen,

a picture of contained rage

as a memory passes,

a regret perhaps.

Yet I do not know why

I carry such poisons. I know

all things are born to suffer,

to decay and die.

Does a flower know bitterness?

I am not above a flower,

only another evanescent thing

I encounter in the mirror.

But the rancour is static,

metallic, situated at the

bottom, a constant irritant,

the bullet that does not fire,

that has no focus, no target.

I have no real enemies, nobody

I harbour hatred for. I rarely hate people,

only myself on an occasional basis.

And why? I find no answer, I rather

appreciate me. Origins? I know this: I felt

it as a child when I knew nothing

about the past. Perhaps I inhaled

a generic truth somewhere along the line

that there is no Justice. Anywhere for anything,

and so we are stuck (I am not the only one)

in a perpetual state of futility, a swamp of impotence

that grates and itches and cannot really be relieved.

HAPPINESS (inspired by Donovan)

DONOVAN https://en.wikipedia.org/wiki/Donovan

 

Happiness runs

Happiness runs on a magical ocean

Happiness runs on a mystical beach

Happiness runs thru you

And it runs thru me

It is freedom from

It is freedom to

All you’ve ever wanted

You have for free

See the balloons leaving now

The sky’s in place

With no specific destination

No reason for haste

We become suspended

In a private garden of space

 

Time has gone now

Gloom has disappeared

It is a world of appearances

As light as air

I SEE ME YOU SEE ME

I am this to me. I am that to you. This is the real me because I know myself better than you know me. I have spent longer with myself than you have spent with me and I know me at a deeper level than you know me. This this is me, this I is not. This I is merely an observer, just as you are an observer of that. When you tell I that this is that, I don’t understand you because I never see that when I am looking at me. I only see this. It is not that I don’t want to see that. It is not that my mirror is broken, it is only that I don’t see it. Don’t you see this? How can you show me that that is me? You define that and then expect I to see it but you see me thru eyes that are not innocent. Your eyes want to see me like that, they need  that. You see me with eyes that are less than honest, at least less honest than my eyes because I don’t need to see me like this. I don’t have a problem with it. At least I don’t have as much of a problem with it as you do. I could easily see me as that if I could see it. But you could not see me as this even if you could see it. Why I say that is because you have more to lose by seeing me like this than I have to lose by seeing me like that. I may have something to lose as well but I don’t mind losing as much as you do. It wouldn’t bother me to lose if I could see it your way. But I can’t so I won’t. What I want is for you to see me like I see me. That would make I happy. Then I would feel good about me and about you. Understand me. See me correctly. Don’t lie. Be honest. I don’t want you to see it my way just to please I. It would please I only if you could really see me this way.